The Vanuatu Chronicles
1998, 277 minutes

Vanuatu, formerly New Hebrides, is an island country in the southern Pacific Ocean, east of northern Australia. This non-narrative travel-log is a saga simply by virtue of its length.

It is screened continuously so viewers can enter at any point. More than likely they will encounter passages which are ethnographic in nature, documenting in rich detail, the landscape, rituals and lives of Vanutians who inhabit one of the smaller islands.

This type of footage occupies the greater portion of the piece. Particularly striking is the capture of an enormous eel at a waterfall on the island's interior or stretches of beach, blackened by volcanic sands in which Vanutians draw elaborate curvilinear patterns that have been passed down to them for generations.

Although it beautifully depicts Vanuatu, the piece is about Auder whose impetus to travel to the other side of the globe came under personal duress of a failed marriage. (His second marriage to the artist Cindy Sherman was dissolving.) In this respect, it shares an affinity with Morocco 1972. But unlike the Moroccan Chronicles there was no wife to edit from the footage. Just Auder trying to substitute geographic for emotional excape. It is a study in self consciousness as Auder repeatedly turns the lens on himself, in many instances having nothing to say.

The work starts with him packing his bags and arriving at the country's capital, Vila where he stays at a bland hotel whose sterility he documents as a foil to the rest of the trip. He befriends one of the hotel workers who takes him to his native remote island where Auder spends the majority of his stay. He returns to the hotel only once before leaving.

Although the piece is non-narrative it has a structure which involves cycles of dissipation in Auder's selfconsciousness. Unlike other works in which he appears, in Vanuatu, Auder is extremely conscious of his own presence. The country serves as a backdrop into which Auder at times fails and others succeeds in pasting himself only to lose himself in the fantasy of a simpler life.

@dress
Biography
Annie Sprinkle
Blond Kid
Brooding Angels, Made for R.L.
Brooding Angels, Made for R.L.
Chasing The Dragon
Chelsea Girls with Andy Warhol
Chelsea Girls with Andy Warhol
Chronicles and Other Scenes
Chronicles: Colombian Wedding
Chronicles: Family Diaries
Chronicles: Family Diaries
Chronicles/Morocco
Chronicles/Morocco
Chronicles: Van’s Last Performance
Chronicles: Van’s Last Performance
Cleopatra
Cleopatra
Excerpts from taped conversations between Michel Auder and Mark Webber
Fighting Kids
Flying
Flying
Full Metal Jacket
Gun Kids
Keeping Busy
Keeping Busy
Kids
Los Angeles is on Fire
Louis Waldon
Louis Waldon in Chronicles: Los Angeles/Bel-Air
Louis Waldon in Chronicles: Los Angeles/Bel-Air
Made for Denise
Made for Denise
Morocco 1972
My Last Bag of Heroin (For Real)
My Last Bag of Heroin (For Real)
My Love
188 Orchard Street, April 12 1999
188 Orchard Street, April 19 1999
188 Orchard Street, August 6 1999
188 Orchard Street, August 8 1999
188 Orchard Street, February 2 1999
188 Orchard Street, January 9 1999
188 Orchard Street, January 10 1999
188 Orchard Street, January 15 1999
188 Orchard Street, June 16 1999
188 Orchard Street, March 27 1999
188 Orchard Street, November 12 1999
188 Orchard Street, September 11 1999
188 Orchard Street, September 27 1999
Polaroid Cocaine
Polaroid Cocaine
Portrait of Alice Neel
Portrait of Alice Neel
Roman Variations
Seduction of Patrick
Seduction of Patrick
"Son you'd better get it right"
The Feature
The Feature
The Games: Olympic Variations
The Games: Olympic Variations
The Valerie Solanas Incident
The Valerie Solanas Incident
The Vanuatu Chronicles
The Vanuatu Chronicles
T.W.U. Richard Serra, An Unsolicited Video by Michel Auder
T.W.U. Richard Serra, An Unsolicited Video by Michel Auder
Unmade Beds 01
Unmade Beds 02
Voyage to the Center of the Phone Lines
Voyage to the Center of the Phone Lines